Bedfellows has been publishing some great work in their Little Black Book anthology, and I'm thrilled to have a new
anticapitalist love poem in collection III.
You can read the poem here.
I'm beginning the new with gratitude to Bear Review, who recently posted a recording of my poem "Snow Day." "Snow Day" appears in Some of the Times (Barrelhouse 2020), but it was originally published in the inaugural issue of Bear Review, which I was super excited to be a part of. You can listen to the recording here, and also read an extremely kind write up of the poem by Editor Marcus Myers. In the weeks to come, look for recordings by other past contributors on Bear Review's blog.
The new issue of The Volta includes a feature in memory of Molly Brodak. It includes her final poems as well as remembrances from Blake Butler, Caroline Crew, Carrie Lorig, Nick Sturm, and myself. My essay is the hardest thing I have ever written. Molly's death has been devastating, and there are no words to capture what a truly amazing person she was. You can read the feature here.
A huge thanks to Bill Carty at Poetry Northwest and to Alex Gallo-Brown for putting together this interview with me on Some of the Times. You can read it here.
A huge thanks to Brett Fletcher Lauer and the Poetry Society of America for including my poem "New Year's Day (2018)" in the In Their Own Words series. You can read the poem and a brief description of the writing of it here.
Thank you to rob mclennan for engaging with Some of the Times. You can read his review on his website.
I'm honored to have a selection of my work-in-progress "Works & Days" included in the new issue of Recenter Press Poetry Journal. The issue features poetry by Michael Begnal, Yuan Changming, Simon Crafts, John Davis, Doriana Diaz, Darren C. Demaree, Maija Elizabeth Ekey, Elaheh Farmand, Jacob Fowler, Emilia Hamra, Blake Hurzeler, Nicole Mitchell, Angel Nalubega, Maya Renaud-Levine, Sam Slupski, Brandi Spering, Travis Tate, Jonathan Todd, and Alex B. Wasalinko, and features art by Alexandra Gordon.
A huge thanks to Terra Oliveira for putting together such a great issue! Read the issue here.
On Tuesday, October 13th, I'll be reading alongside of JM Wong, Duji Tahat, and Paul Hlava Ceballos in the Fight For Our Lives Reading Series. Hosted by Alex Gallo-Brown, the reading is a fundraiser for Unite Here's Relief Fund, National Domestic Workers Alliance, and League of United Latin American Citizens. The suggested $10 donation can be made directly to the organization(s) of your choice during the reading.
To learn more and register to attend, check out the Facebook event page.
On Sunday, October 11th from 1 - 4 pm ET, I will be facilitating a generative writing workshop as part of the 2020 Letters Festival:
Overheard: The Poetry of Conversation, Headlines, Garbage
Poets have long used the material of everyday life—from snippets of overheard conversations to newspaper headlines, graffiti, garbage, and lists—to create lively snapshots of the "present" in their poems. In this generative workshop, we will read a range of examples, focusing on the moves the poems make, and then write some poems of our own. In addition to the drafts produced in class, participants should leave with numerous ideas for additional writing experiments to try on their own.
The cost is $15 to participate. Registration is open here.
I'll also be part of the closing night reading on Sunday, October 18th, reading alongside of Clinnesha D. Sibley, tanner menard, and Susan Steinberg. You can find details about the other workshops and events at the lostintheletters website.
My new book Some of the Times is now available for preorder at the discounted price of $10 from Barrelhouse. $3 from each book will be divided between two organizations, the First Ward Community Center in Saginaw, Michigan, and the Youth Art & Self-Empowerment Project in Philly. I cannot thank Barrelhouse enough for their generosity in agreeing to donate to these causes.
I'm also incredibly grateful to Craig Santos Perez, Cynthia Arrieu-King, and Brian Teare, for their generous words about the book. These are three poets whose work I deeply love and respect. It means the world to me that they took the time to read Some of the Times. Here is what they had to say:
Gina Myers is a deeply authentic poet who intimately captures her struggles with rent, debt, work, illness, politics, and violence in the capitalist ruins of America. Throughout, she bravely confronts some of the times that she almost died and lovingly holds onto some of the times that she fully felt joy. This book is necessary reading for our precarious times. - Craig Santos Perez
In Gina Myers' Some of the Times, Myers addresses herself, her heart, the night, and her anti-capitalist comrades with a downbeat struggle, a night wakefulness tempered always by reality. Here, the city's sirens and burnt out ruins run the same temperature as an off-handed pass me the cigarettes. Their multiple modes--photojournalistic documentary about Saginaw, litany of brushes with death--all portray the decline of American life with profound melancholia always leaning towards the jocular. With echoes of Niedecker, Myles, and Schuyler, these poems lower your guard, then break your heart; You'll want to leave them where someone else can find them--a bench, or on a bus. - Cynthia Arrieu-King
A daughter of deindustrialized Saginaw, Gina Myers is sensitively attuned to forms of capitalist ruin: the city long after the factory closes, the wage earner barely getting by in a shit job. Whether surveying the blight and arson of her hometown or settling into a gentrifying Philadelphia, Myers tallies the manifold promises capitalism offers and never keeps: “There is an anger I carry/inside that I will never/let go of. Something basic/to hold onto while everything/else disappears.” A daybook of alienated labor and catcalls, chronic illness and summer heat, bad Philly landlords and losing sports teams, Some of the Times is also a daybook of pleasures leveraged against exploitation and misogyny, songs a worker sings to survive her work, songs a lover sings to guard her heart. - Brian Teare
You can preorder the book here. The official release date is October 15, 2020.